Close distance is a scenographic device that allows viewers to contemplate various combinations of art objects from a fixed point. It enables audiences with reduced mobility to experience multiple perspectives on collection pieces, revealed in a theatrical manner.

Launched in a museum setting, the device addresses accessibility challenges while also introducing new scenographic solutions to vary curatorial content within a permanent collection or temporary exhibition. Designed as a standalone unit, the device ultimately aims to bring collections out of the museum to reach audiences with reduced mobility who are confined to hospitals, retirement homes, rehabilitation centers, and prisons.

Originally conceived to manage visitor flow during the COVID-19 period, Close distance is a research project launched in 2020 by Studio Marie Douel, specializing in exhibition scenography, and Mathieu Rivier, a media interaction designer. Managing visitor flow, avoiding crowding, keeping the public in a specific spot, these unprecedented constraints, now obsolete, nonetheless sparked a reflection on the lack of access to artworks for people confined long-term (due to hospitalization, loss of freedom…) or with reduced mobility.